![]() ![]() 3 Series III Folding Pocket Camera, Kodak No. Melancholy I, Edvard Munch Exhibition at Blomqvist, Edvard Munch Fips on the Veranda, Edvard Munch Karen Bjølstad and Inger Munch, Edvard Munch Ludvig Ravensberg, Edvard Munch Ludvig Ravensberg in Åsgårdstrand, Edvard Munch Melancholy III, Edvard Munch Model in the Studio, Edvard Munch Nude Self-Portrait, Edvard Munch Nude with Long Red Hair, Edvard Munch photographic self-portrait, Edvard Munch Rosa Meissner at Hotel Rohn, Edvard Munch self-portrait, Edvard Munch Self-Portrait at the Clinic, Edvard Munch Self-Portrait in a Room on the Continent, Edvard Munch Self-Portrait in a Room on the Continent (mirrored), Edvard Munch Self-Portrait in Åsgårdstrand, Edvard Munch Self-Portrait in the Clinic, Edvard Munch Self-Portrait in the Garden, Edvard Munch Self-Portrait on a Valise in the Studio, Edvard Munch Self-portrait on the Operating Table, Edvard Munch Self-Portrait with a Sculpture Draft, Edvard Munch Self-Portrait with a Valise, Edvard Munch Self-Portrait with Paintings, Edvard Munch The Back Yard at 30B Pilestredet, Edvard Munch The Death of Marat, Edvard Munch The Painting "Bathing Young Men" in the Garden, Edvard Munch with Model on the Beach, Edvard Munch Woman with a Samoyed, Edvard Munch's Housekeeper, Edvard Munch’s Photography, effects of movement and time, Evening Melancholy I, Evening on Karl Johan, Exhibition at Blomqvist, experimental camerawork, experimental photography, exploration of shadows, faulty photographic practice, Fips on the Veranda, fixed focus lens, flickering images, flickering images in light, fragmentary films, ghosted figures, Ghosts and spectres, hand-held films, haunting, informal photography, instinct and intuition, intimate images, Karen Bjølstad and Inger Munch, Kodak Bulls-Eye No. Tags: A Record of Healing, absent presence, aesthetic choice, amateur photographs, amateur snapshot photography, analysis of point of view, architectural space, astral casing, avant-garde photography, Åsgårdstrand, Baltic Coast, Bathing Men, Bathing Young Men, blurred motion, body of self-images, Canal in Warnemünde, Caricature The Assault, Charlotte Corday, city symphony, city symphony films, copy-printed photographs, Daniel Jacobson, direct and reflected light, distortion, double exposure, Double Exposure of Charlotte Corday, Dream Image, dynamic motifs, Dziga Vertov, Dziga Vertov Man with a Movie Camera, Eastman Kodak Company, Eastman-Kodak, Easy Photography, eccentric camera angles, Edvard Munch, Edvard Munch and Ludvig Ravensberg, Edvard Munch and Rosa Meissner, Edvard Munch à la Marat at the Clinic, Edvard Munch Bathing Men, Edvard Munch Bathing Young Men, Edvard Munch Canal in Warnemünde, Edvard Munch Caricature The Assault, Edvard Munch Evening on Karl Johan, Edvard Munch Evening. Categories: beauty, black and white photography, documentary photography, exhibition, existence, gallery website, intimacy, landscape, light, memory, painting, photographic series, photography, portrait, psychological, quotation, reality, sculpture, space, time and works on paper ![]()
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